The Church of Ascension of the Holy Virgin is the only remained part of the Medieval Gra´┐Żanica Monastery, the church from the 13th century, as the seat of the bishop of Lipljan built on the remains of the former early-Christian basilica dating from the 6th century. In the southern part of the´┐ŻGra´┐Żanica Monastery´┐Żaltar, probably at the middle of the 14th century, Lipljan Bishop Teodor was buried, so the scene of his funeral has been depicted which commemorates this event. During the archaeological excavations in Gracanica Monastery complex, carried out in 1963, the foundation of the three-nave early-byzantine basilica have been found. The construction and painting of the present-day Gra´┐Żanica Monastery church was completed by the year 1321. Gra´┐Żanica Monastery was built as the last endowment of King Milutin and was dedicated during the Middle Ages to the Annunciation, while today it celebrates the Ascension of the Holy Virgin. The Gra´┐Żanica Monastery church has the shape of a developed and inscribed cross, one inside the other, with five domes, including an open outdoor narthex that was soon appended to the church, probably together with a bell-tower on the western side.

Gra´┐Żanica Monastery represents a masterpiece of the late Byzantine architecture, captivating the onlooker with its unity of structural and decorative elements. Particularly notable is the arrangement of the masses and ornamentation on the facade of the Gra´┐Żanica Monastery church, emphasizing vertically. The central dome of Gra´┐Żanica Monastery rests on four free-standing pillars. Above the spaces between the cross-shafts of the´┐ŻGra´┐Żanica Monastery, four smaller domes give a regular structure to the whole crowning complex. The diaconicon and the prosthesis of the´┐ŻGra´┐Żanica Monastery´┐Żare separated by full walls. Between the nave and the narthex of theGra´┐Żanica Monastery´┐Żthere are wide, heavy pillars and the catholicon is on a higher level. The church of Gra´┐Żanica Monastery was built in alternate courses of brick and stone. At the end of the 14th century an exonarthex was added with double arcades, but these were blinded in the 16th century. The Gracanica Monastery was exposed to new damages toward the end of the seventeenth century, in the war between Austria and Venice against the Turks, after the second siege of Vienna - in which the Serbs took part on the Christian side. They rebelled against the sultan Jeghen Pasha terrorizing Serbia, who removed the leaden cross and pulled out the floor tiles, together with the treasure hidden in the church by Patriarch Arsenije III.

The frescoes of Gra´┐Żanica Monastery were painted in 1321-22 and have been well-preserved. In the Gra´┐Żanica Monastery church three kinds of painting can be discerned. The earliest´┐ŻGra´┐Żanica Monastery´┐Żfrescoes are found in the nave, that are the work of the so called King Milutin's court school whose achievements belong to the best trends of the classical art in the period of the Paleologues, whereas two later ones can be recognized in the narthex. The focal paintings of Gracanica include the Festival Cycle, the Passion and the miracles of Christ. Inside the narthex, there are portraits of the founders: King Milutin and Queen Symonida, Queen Helen d'Anjou (king's mother) as a nun and King Milutin as a monk. Of particular importance is the Nemanjich dynasty genealogy, the first ever painted, which starts with Stefan Nemanja and ends with Milutin. The compositions in the nave deal with the earthly life of Jesus and the ecclesiastical calendar. The theologically knowledgeable, eloquent Gra´┐Żanica Monastery painting has been best preserved inside the church itself, while in the exonarthex which was closed and painted again in 1570, this has been achieved to a slightly smaller extent. The master-painters of Gra´┐Żanica Monastery supposedly were Michael Astrapos and Eutichios with their assistants. Having been quite damaged by the Turks as early as the period 1379-1383, the church of Gra´┐Żanica Monastery was restored in 1383. After the final fall of these regions under Turkish power, the monastery of Gra´┐Żanica experienced a difficult times filled with looting and plundering. In 1688 the Turkish Yegen-pasha looted Gra´┐Żanica Monastery when he needed nine horses to take all the valuables to Constantinople. Gra´┐Żanica Monastery grew poor particularly during the course of the 18th and 19th centuries. Of the once famous Gra´┐Żanica Monastery treasury there are only several precious icons left, dating from the 16th-17th centuries, several manuscript books, including an octoteuchos, however, printed in 1539 in the printing house operating in Gra´┐Żanica Monastery at the beginning of the 16th century.

Gra´┐Żanica Monastery was several times hit by grenades launched by Albanian terrorists during the years 1998-1999 and undergone a devastations of the facades.´┐ŻGra´┐Żanica Monastery´┐Żis inscribed on the List of UNESCO World Heritage in Danger.